acclaimed for many of his compositions on labels such as aesthetic audio, art, ornate, alongside his blistering dj performances. aer boss miles drops the labels first and his debut album. deep is a word often used to describe a lot of music currently out there, but not many touch the depths of this superb lp on atmospheric existence. miles touches on many shades of sound with his trademark emotive warmth. melancholy but positive vibrations flow out alongside abstract grooves. hypnotic elements grace the journey, creating an otherworldy sense of space and distant unknown entities. feeling & mood leap out of this lp at every twist and unexpected turn, circumnavigating the deep spectrum. since his early releases, his imprint aer has become a highly respected imprint globally with a dedicated following. this lp was constructed to stand the test of time and stand it does, firmly rooted in the cosmos

french brothers baptiste & pierre colleu have been making music together since they were children. they spent a chunk of their childhood in africa, which they say has inspired their work in the studio. that influence is submerged fairly deep on dolphin kid, the title track for these two eps. theres an undercurrent of eerie soulfulness and woody percussion accents running through this oddly alluring cosmic-house seducer, but its roots are more balearic than afrobeat.

french brothers baptiste & pierre colleu have been making music together since they were children. they spent a chunk of their childhood in africa, which they say has inspired their work in the studio. that influence is submerged fairly deep on dolphin kid, the title track for these two eps. theres an undercurrent of eerie soulfulness and woody percussion accents running through this oddly alluring cosmic-house seducer, but its roots are more balearic than afrobeat.

the third in the modular techno series from live analogue artist and freerotation organiser steevio. after 15 years of producing techno live on hardware, in 2009 steevio began building a dedicated machine on which he could totally improvise an entire techno performance from a blank canvas that far surpassed anything he could do with his previous setup of drum machines and synthesizers. steevio’s modular is 100 analogue, there is no computer involved, there are no memories to save sounds or sequencing patterns, and everything is improvised in real time.. volumes 1 and 2 of the series were just a taster of what was to come, and were the early experimentations on steevio’s newly built machine. steevio records everything he does, especially during the intense practice sessions for live gigs. all the music in the series are out-takes from these practice sessions, and the tracks from volume 3 and the forthcoming volume 4 all come from a three day period in practice for a recent live gig at delete, bournemouth, uk. volume 3 continues from where volume 2 left off but delivered with more confidence and a deeper more hypnotic feel. steevio continues to develop his skills and fine tunes his unique instrument in this dedicated for life project.

alexander kowalski is someone you should know. not only is he a resident artist at our club, but with uncountable eps and several albums on heiko laux label kanzleramt and others, he has contributed more to electronic music than many others. to have a separate platform for the darker and harder productions of his, he created the alias d_func. a while ago. when he approached us with the tracks that are now on the record in hand, we immediately fell in love with the mills-like energy of them. perfect drum programming, driving synth lines two perfect tools for any proper techno set. the dirt mix of revalism which is included in the digital release package puts the original in a more modern jacket with its stompy beat – another proof of how well alexander knows what the djs need to please their crowd.let the dancefloors burn!

limitiertes vinyl eines bisher nur über plug research digital veröffentlichten albums von oaklands matt tamarillo. between waves ist ein abgefahrenes elektronika-album zwischen boards of canada, floating points und gold panda. die beats sind auf dem level von künstlern wie teebs oder bonobo

with *believe in love* yousef returns home to circus recordings with 3 cuts that have been turning heads all summer long. the title track features the legendary vocal of roy davis jr who once again, asks the world a poignant question. a rolling, infectious and gnarly groove develops and unfolds into a long and harmonic breakdown before a blistering crescendo. designed for the heads but with still enough action for the people that follow yousefs more musically trickier offerings.
just a beat is exactly that. yousef busts out a stripped back boogie bass over tight drums and oddball acid. no messing around, heads down, hands up. what is revolution is completely reworked by circus label mates acid mondays. remixing one of the stand out cuts from yousefs recent *a product of your environment* artist album, the mondays show how to bring authentic house music into the 21st century.

möd3rn is a global project from 3 wellknown artists who wanted to give a side project from their own solo career. its a band, producing, playing live but its also a label created only for the trio productions. each releases will propose 3 tracks from the 3 artists

now its time to listen to new ep from electric rescue, it was 4 years he didnt release a solo ep on his own label, but now its done.

hobo (minus, hot creations, tronic) launches his new imprint, soundz, by finally releasing his highly acclaimed hit mind games. after tearing up ibiza and the world over this season, mind games is finally clawing its way out of select record boxes and into record stores everywhere. joining mind games is its evil twin, public lies. equally epic, public lies builds to a fever pitch with familiar but not quite normal synth tones soaring wildly overhead. two monster jams to kick off soundz in that familiar hobo style.

*it all started in 1974 with the purchase of my first mini moog and another 70s dream machine, a white mellotron m 400.* so starts klaus hoffmann of his 40 years love affair with the mellotron. moving from prog-rock guitarist to cosmic disco warrior in a space of a few years, the birth of cosmic hoffmann would lead to a number of classic kosmiche albums through-out the 1980s. before this though came space-disco. initially recorded in 1978 after endless late night sessions exploring the new realms of this free form electronic music, the first incarnation was recorded live to tape for a failed film project. an uplifting spaced-out synth journey, it was the later reworked version that would go on to become the lost cult classic. with added disco syncopation taking the track into interstellar spheres, it appeared only as a flipside of cosmic hoffmanns first and last single, *weltraumboogie*, in 1982. unfortunately the release did not make much impression at the time but has become highly sought-after for the more leftfield dj and music lovers in the years since. now fully licensed and remastered, the inclusion of the unreleased 1978 original will be only add to the collectors dream.

cyber dance records return with a full-length double-vinyl album from manchesters kid machine (aka mark wilkinson) following a string of instantly sold-out eps for viewlexx, red laser and flight recorder. a long-time collaborator of world-famous italo disco dj flemming dalum, it is no surprise that many of the tracks have that hallmark space sound reminiscent of the likes of cyber people and koto, but mark stamps his own distinct identity on the genre by slowing down the bpms and incorporating many other influences throughout so that this is no retro affair but a distinctly fresh and modern take on the genre.

here we are with the first curle of 2014, after a lengthy but refreshing hibernation. first up is our now berlin based compatriot peter van hoesen.early support from marcel dettmann, fred p & laurent garnier,luke slater, martyn, marcel fengler, norman nodge & phase.

2015 repress! transparent vinyl. part 1 of 2.this latest ep on enemy maybe the most psychedelic and hypnotic release the label has released thus far. psychedelic hypnotism may sound like a bad acid rant from the >summer of love,< but this 2 part vinyl ep will prove you otherwise. the first vinyl focuses on the more abstract side of the dance floor, leading off with rrose and donato. perfect for the beginning of the evening or the early morning. the second vinyl is the more club-oriented accompaniment courtesy of jesper dahlback and grindvik & zahn.

disruption and interference arent words you ordinarily associate with pop or dance music, but planningtorock is on a mission to unseat all norms. on her new album all loves legal, she leaves you in no doubt as to the seriousness of her vision of transnational gender equality. surprisingly, given that western dance music is born out of black, queer music, it rarely touches upon these themes, but all loves legal is a refreshingly direct statement of political intent

optimo trax is an offshoot label of optimo music for tracks aimed at djs/dancefloors. yes, we know there are too many record labels already, but we felt an overriding desire to start another one as so much music that didnt seem quite right for optimo music (i.e. music that was specifically designed for dancing) kept coming our way. like the parent label, optimo trax will release music by new artists and excavate forgotten classics.

piston recordings label boss rogerio martins is next up on his own well-established label with a new track that gets plenty of great remix treatment from joss moog, james dexter and jr from dallas. martins has steered his label through a dizzying amount of quality releases since 2007 picking up support from the likes of laurent garnier and john aquaviva who have confirmed themselves as fans in the past and this new release is sure to find just as much favour with the top dogs. >gonna be mine< is the one martins original and is a classical inclined bit of mature house music with sombre piano chords draped over nicely shuffling percussion. subtle human sounds litter the arrangement and more lively stabs enter the fray in the latter half but essentially this is all about the warm and inviting groove.

remutes greatest hit zuendli receives an awesome remix treatment by chicago legend dj rush furthermore included the original tune (remastered!), a massive remix by the one and only technoviking and last but not least a crunchy uk-techno-stomper remix by bit reduction.

daze maxim adds another episode to his practice of long-form explorations, on this his second release for lisbon’s assemble music. this time hes joined by a master in this field, baby ford, whose remixes over the past few years continue his own distinctive development of extended minimal house trips. dazes beginning an ending rides a skippy, loose beat for several minutes, the snares and hats gradually opening up as wordless vocalizations exclaim and interject with increasing regularity, the bass bumping contentedly underneath. pads join the equation for an intricate midsection – evoking memories of alcachofa-era happy experimentalism that nonetheless fit within daze maxims disciplined and dancefloor-oriented approach.peter ford recasts the original into his now unmistakable soundspace, where the push and pull between front-and-centre rhythmic components and evanescent background atmospherics creates that recognizable but undefinable sense of emotion, felt but unexplained. in ford’s world there isnt anything as simple as a beginning or an end, so the remix provides a valuable counterpoint to the original. given their now impressive track record, its no surprise that assemble music has pulled off another cohesive statement that works equally on the body and the mind.

adding to his extensive and diverse catalog, alexi delano delivers his first release for spectral sound. my busted sh-101 is an ode to the beloved and portable synthesizer made by roland in the early 80s, not long before delano started djing. as a producer, he s earned a reputation for being a bit of a machine himself, churning out records on a wide variety of labels over the last 20 years. he holds his own in house music under his a.d.n.y. moniker, but its with tracks such as this one that show off his love for dark, weird techno that sits comfortably alongside spectrals finest.

jorge c. is not only a great producer (who was also signed by the legendary detroit matrix label), but also label owner of the well known chile based ojo de apolo. jorges music is strongly rooted in detroit deep house, chicago jack sounds and mid-nineties peak time housemusic, but also known to just as easily fuse a wide variety of other styles including dub, experimental electronica, future jazz, nu wave, disco, afro beats & particularly 80ies rare funk. check *love song*, an absolut party firecracker fused with funk elements which really freaked us away. dan piu aka george b. from allstarr motomusic re-worked jorges *jam* song slightly by adding some cool cuts and jazz chords. big shouts to our graphic artist and multi talent popshop, who always delivers 100% quality. pressing on red coloured & marbled vinyl.

can the ugliness of the colour be more in contrast with the beauty of the tracks as is the case on wph brown? decide for yourself, but were sorry the rainbow colours were all out

gerome sportelli presents sporty limited, a new record label managed by himself as a limited vinyl series. after big success with his krax records in 2004, veteran gerome sportelli is back with a new label project. the genre of the label swings between dance floor oriented house and techno, with a touch of acid and of course some dusty old school flavours. gerome’s already active in the music industry since the early 90’s as a producer, dj, label manager, party promoter and graphic designer. his music ‘smells’ old school, just like the early age of acid house, but infused with today’s intelligent constructions and an engaged vision on music. gerome’s music is made from bronze age analogue synths, love, passion and modern digital mixing techniques.for this first sporty limited release, gerome comes out with three stylish tracks. the first track, a side “drive”, is a fat house stomper with strong stabs and female voice hits. the break is intense and works effectively on packed dance floors. b1 is called “free range” and feels like summer. it’s full of classic house sounds, filtered strings and hypnotic loops. this is a chicago­styled, disco sampled, deep and classy house track we love and cherish. the b2 track, “don’t go”, is composed with a classic house bass, shuffled 909 drums and dark space strings. you’ll immediately recognize the deep and melodic detroit house sound.

played by raresh, dyed soundorom, dop, djulz, jef k...
for the next release we have set the bpm slower, we offer you the 1st collaboration between jaw, gaffy & varoslav, all good friends for years. its a pleasure to deliver such a superb original track made of vintage warm analog sounds surrounded by the mystical vocals by jaw. and there was something interesting to say about the parts of the track... we have invited some friends and producers from totally different places but one they all have in common is their passion for the warm sound. edward (from white-aim) who just delivered some of the most beautiful tracks & remixes this year so far and the lovely new comers from netherlands: times are ruff who has as their name indicates has a very personal touch and ruff sound.

quite simply, mike storms one target is one of my favourite techno tracks of this year. intense, funky, hypnotic, this is a total bomb. full support in the clubs and charting on ra and juno. thought it would be hard to follow up binnys millsian madness but this release fucking rocks mate, cant wait to get it on vinyl

limited to 500! the ninth release from the well-formed holic trax label comes from italian born hot property tuccillo, fresh off the back of his massive ep for 2020vision and recent work as doublet with holic boss tomoki tamura. this new ep will get released on a limited run of 500 coloured vinyl. tucillos sound is a cultured but club ready one with plenty of melodic intricacies and cues taken from chill out, disco, house and techno in equal measure. these four new tracks prove he is a master of his form very much still on the rise

underground quality artist and fear of flying owner blm drops *easy knocking* this spring for huxleys saints & sonnets imprint.
blm, or ben micklewright, has been increasingly on the radar of quality house heads in recent years with output for underground quality and secretsundaze nudging his profile slowly but surely. his stewardship of fear of flying alongside jay massive has resulted in the label, in similarly steady fashion, becoming a mustcheck for fans of the deeper end of house techno who are seeking something that sidesteps trends.blm is at his best when turning in moody, hypnotic and robust house cuts imbued with a distinct uk stylings and that is exactly what he does on *easy knocking* while also turning in electroid tones on opening cut, *paris beatdown*. the result is a classic sounding 4-track ep that has picked up support from efdemin, hackman, djulz, citizen and mosca.

these tracks magnitude and direction is best understood when the dislocation-bearing crystal structure is first visualized without the dislocation. in this release structure, once the encompassing track is drawn, the dislocation can be introduced. this dislocation will have the effect of deforming, not only the perfect crystal structure, but the track as well. the direction of the vector depends on the plane of dislocation, which is usually on the closest-packed unit of a low-frequency cell.

groovement has been developing its artistic connection with japan in recent years, so sais integration as a member of the labels on-going group of producers feels nothing short than natural. this first record showcases his meticulous approach to electronic music creation, with 4 original tracks that constitute a strong demonstration of his potential. flying with you” is a collection of tracks with a house matrix feel, sometimes revealing a dramatic pulse other times hypnotic forward thinking moves, but always with a subtle melodic texture that makes it work for the mind, body and soul. in fact, sais music is both luminous and dense, inviting us to embark on a trip but giving us the freedom to dream about our own destination. its a beautiful sense of interaction between the creator and his audience.

nice price deal !!! after ab initio 04 comes…ab initio 05… sometimes it really is that simple! what is not so simple however is how sebastian san manages to always stick to his sound and still deliver one fresh release after another. the fifth installment of his own ab initio imprint is no different: three absolute storming tracks bringing you that typical vibe to make you lose your mind and body. >photonics< takes up the complete a-side, tweaking and twirling with heavenly chords and synths, it is one of those tracks you can play to really lock dancers into your groove. >horsepower< is a bit of a rougher affair with a serious oldskool chicago twist, but still very much sebastien san of course. >kepler 22 b< rounds off the e.p. in style with a minimal dubby workout that should have maurizio fans storming to the booth for a track i.d. in a matter of seconds. three different tracks, three times 110% sebastien san quality. bring on ab initio 06 please!

the second album by valanx called >ejecta< (18-diam.) gets the remix treatment. four artists, each with their own unqiue sound, have reworked their favourite track of the album and gave the music their own twist and sound. the exaltics turns >beyond doubt< into a dark brooding metallic industrial beast with a strong and dominant sub bass line that will damage your speakers.crc, one half of the finnish electro masters morphology creates a trippy psychedelic techno epic on his take of the track >chasm< and showcases a masterpiece of drum programming and creation of atmosphere. on the flip, >trail of conjuration< gets the remix treatment by admx-71 aka adam x. his version takes the tribal aspects of the original and turns it into a dark industrial techno drenched track that immediately lets you think of an old abandoned warehouse drowned in strobe light and fog and a massive rave taking place.last but not at all least it is louis haimans turn and he creates a wonderful deep dub techno track out of >legion v2<. the sub bass and deep chords are whirling and will hypnotize the listener with endless echoes and reverbs. 300 handnumbered limited vinyl copies only. no digital distribution

commodity place project is back with two masterful compositions wrapped in a special colorful ep. the duo composed by roman musicians massimiliano loretucci (computer and synths) and riccardo frosoni (guitar and percussions) has set two amazing tracks letting the mind and body to travel far away till the most unreachable and undefined horizons of psychedelic music. on side a, >multifrequency behaviour of high energy cosmic sources< develops an intense journey into a nebulous space dimension where a wide range of fluffy cosmic echoes are stratified and stretched to the infinity, while human perception is totally kidnapped by ancestral voice effects. straight to the unknown ambient paradise. the endless 12 minutes of >ahura mazda< fill entirely the b side. a melodic start up loop on a mild 4/4 downtempo pace prepares the well coming of an outstanding solo guitar excursion with some psy-synths on background for a piece of music that we can literally define as an extraordinary psychedelic / krautrock symphony. so, now you are in. but remember: over the mystic mountains another earth could be found.

russian producer neotnas deliveres >slow & steady<, his first ep on soundtravels (st006). we have already introduced him on our first various artist ep >point of view part 1< (st005). typical for his sound is that warm, organic feel all over his house and dubtechno productions. very often accompanied by female vocals and its almost like you hear somebody play a live instrument if you listen carefully. the ep kicks off with the massive floorfiller >trunk party<. an energetic, solid built up track with that bassline killer hook. >user mood< has that typical basic channel touch. dubby techno guided by a floating bassline and little pleasant delays. we are slowly moving forward with evolving sticky, dubby beats in the title track >slow & steady<. this one will warm up every dancefloor, but is also very welcome in the afterhours. the last addition to this ep is >hold<, a warm deephouse track with moody, hopeful and sensitive sounds which reflect beautiful emotions. timeless material again which covers you up like a warm blanket. enjoy!

apartment kickstarts 2014 with a various artists compilation focusing on irish talent from all across the isle. following on from their collaboration as bande apartment in 2013, tr one and new jackson once again appear together on apartment. this time around new jackson remixes tr ones bruising techno beast >viceroy-9c< (the original of which appeared on the last apartment release, a split 12 with phantom planet outlaws), turning it into an emotive, acid-laced breakbeat gem. house duo slowburn, coming off a year that included appearances on lunar disko, appian sounds and grounded in humanity deliver the off-kilter and immersive >riders of the sea<. hints of the work of artists such as drexciya and kassem mosse are combined with their own unique stylings to create an intoxicating, tripped out journey to the deepest recesses of the dancefloor.the cyclist garnered huge praise last year with his >bones in motion< lp on leaving records/stones throw and apartment is excited to deliver his first original material since then. his individual brand of over-driven electronics – >tape throb< – combines distortion with the most delicate of inflections and >crax< surmises this approach perfectly, an uncommonly euphoric slice of wounded electronica. last but by no means least is the superior inferior. after his debut release on belfast’s one electronica label went so far as to be licensed by sven vath to his sound of the 14th season compilation, he returns with the throbbing, rapturous >a bit much confusion<. wave and electro influences carry this bass heavy number towards it’s crescendo of skyscraping synths and skewered monopoly madness.

2020 repress! vril is still a relatively little known artist but already he has some great accolades to his name: he has released a couple of great eps on giegling sub.

6th borough project are all set to release the follow up to their 2011 debut lp one night in the borough at the start of march. a hectic couple of years have been lived out by graeme clark and craig smith during the making of their borough 2 borough lp with graeme continuing to play week in and week out as revenge and setting up his new imprint roar groove whilst craig has established the brilliant fifty fathoms deep label. studio time has been tight to say the least but that hasnt stopped the duo from pulling out all the stops and ensuring that this lp surpasses the already sky-high benchmark set by its predecessor

soft raindrops hitting an empty street, the orange light reflects on shallow puddles of water. the dc streets ep by times are ruff is all about this silent but edgy image, where peace and disturbance lay close together and are only covered by an undisclosed street corner.

trackwork ep.no.2 is headed up by a super swingy acid tinged wigout multiculture - simple but deadly on the floor. next we have the stone-age-cave-rave of a billion years ago - a clash of de-tuned vox and live dub delay edits and to round side a off - feel it warps and mangles a classic paradise garage disco sample into some dark heads-down tracky gear.

the very polish cut-outs crew is back with more goodies. after *krystyna* by ptaki, the labels most successful release so far, zambon & kapsa bring you another sampler, filled with great grooves from polands rich musical past. the most recent tvpc offering is curated by two norwegian heroes and one lesser-known, but equally talented pole.

the fourth instalment of local talks series crosses all genres of house and have been delivered by producers from sweden, argentina, germany and finland. its a wide and complete mix of deep and thumping 4/4s. the opening track from combo loops a killer stevie sample over some mid-tempo electronic house beats…its pure shuga! tim vita, oliver gehrmann and xavier hirsch does a similar thing using a big voiced motown legend together with dark but jazzy house rhythms. < finnish house legend sasse (mood music) delivers a classic deep but electronic jam that definitely sets a deep mode. we finish off with a classic us garage track from argentinian producer tom noir, a real club filler with some serious breakdowns.

singular records is back and verry happy to welcome a new producer for the 4th release, filippo bertetto aka >modry<, a new talent coming from turin, italy.this young producer is literally showing a huge potential with this very first release, subterranean ep, reminding some of early jonas kopp releases, deep and strong techno, but also with ambient and atmospheric flavors too that makes this ep more eclectic, a perfect combination to kick off 2014 for singular records.

hand stamped white label. you might remember shan from his one-sided sven-väth-approved hit how you want it for frankfurts newly founded label the healing company. here he is with his monolithic chord memories. an evocation of what dubbed out house and techno tracks usually do, but to a rather unusual and - if we dare say - devastating effect. the flip holds three short and direct cuts with leanings to the a-side and one acid track. necessary ruffness.

*mort à vegas* (death in vegas in french…) is the new 12 inch e.p. by adrien viot aka av, one of the finest protagonist on the new frenchy but chic electronic pop scene. &#8232,,,av sings the nightlife, paid sex, alcohol over-consumption, desire under the neon lights, dark side of the american dream, driving a black cadillac drunk to death. this ep contains a dreamlike remix of *mort à vegas* by death in vegas (as the track was probably written with him in mind!) but also a cover of french singer dominique a, known in france for being the one who launched the new french scene that drove the renewal of the french pop. av has still this elegant crooner voice that slowly caresses you before driving you on the dancefloor, so let his deep voice and those melodic synths & guitars seduce you.
limited to 500 copies black vinyl in black inner-sleeve with download coupon.

eintakt 29 >rauhv01< vinyl, including 2 exclusive remixes of nvelopes successful first full length >chords & scapes<, also part of the 3 track ep is the original song >tribute< by nvelope. nvelope presents his tribute version on a1, a track as simple as classic as good as you know what im talking about.longtime label fellow gunnar hemmerling (also man behind dock records) kicks off on the a2 with a quite reduced stomper (and as >stomping ground< is the tracks name he does good so). proper ancient techno vibes, enslaving the circuitry and drumming on the real heavy barrels. rob strobe and kai randy michel aka say what introduce themselves on eintakt on full b-side with a soupy submarine machine and you might dont know what to say (but the project name says say what) and i say get lost there then (and you probably will). the rauhv series are an upcoming collection of unreleased remixes of different rauhphaser releases

the remains of the horsemans severed head are no where to be found so he has returned to sleepy hollow for vengeance. in >execution< you can hear his sword tear through the last human souls who were brave enough to step out side of their homes in the pitch black darkness. the headless horsemans >legend< has now been born in the neighboring villages but there was one survivor on his third attack. that was a gentleman named ancient methods, who showed his courage and strength so the horseman decided to let him live in return for his shield containing markings of times before his

one of our specialties at jazzman is focusing in on the obscure and often previously slept on regional based sounds across america. this time our radar was honing in on state of virginia and its norfolk sound. many celebrated musicians have contributed to the norfolk sound, but lenis guess was probably the most active, prolific and influential showman of the soulful 60s and 70s. this collection of unique recordings captures the essence of the multi-talented entertainer, singer, songwriter, producer, arranger, band manager and label owner a calm, cool and collected quintessential music man about town.

amazing dark house! bouncing, grooving and without any bling bling. the aim of appian is always to bring loaded energy and feelings to the floors but without any oversized productions or nonsense. straight needed!

a label-defining masterpiece, jÜrgen paapes aptly titled triumph is not only one of the best records ever put out by the label kompakt, but also the first one. for record store day 2013, we decided to polish up the old master tapes and re-release this indispensable floor classic to fresh ears, giving it the overhaul it so clearly deserves.

with millimetric the catalog number 018 presents an analog synth lover who released his electro influenced tracks already on goodlife, the label of oxia & the hacker.
on *slogan* featuring riot miloos vocals he creates gloomy soundscapes being surpassed in its hardness and coolness just in david carettas remix. (gigolo / spacefactory)
the flipside *neuer morgen* is a different journey: melancholy synth-melodies facing with strong snare fill ins. last but not least at the end of this record toureau (parquet) shakes the whole track on his nacht-version-remix in an oldschool ebm-style.